|Stupid movie studios. What do they know?|
Imagine how different our world would be if movie studios had had the wisdom to buy the screenplays The Man in the High Castle, The Left Hand of Darkness, and Dahlgren, rather than leaving their authors to pad them out into ACE Doubles. (To be fair, we didn't really have the special effects to do justice to The Man in the High Castle until the last ten years or so, but still.)
At least D. A. Karr understands the barriers she faces: "Because this is sci-fi and fiction, it's more difficult to sell then non-fiction." (Aspiring SF writers, take note: disguising your gender by using the old initials-only trick doesn't work if you include a detailed bio.)
|Sci-fi or fiction? ...or both?|
Originality is key when turning failed screenplays into novels, for as Karr points out, "There is only so many ways you can write about a spaceship that doesn't resemble 'Star Trek.'" You, aspiring writer of failed-screenplay-novels, must find this ways.
I know what you're thinking: "What model is a novelist supposed to use, if not Star Trek? I guess there's Space: 1999, but I can't even get that on Netflix instant-view! What am I supposed to do, spend all my free time chasing down obscure DVDs?"
Nobody said being a novelist would be easy.